Paths of Glory (1957) Review | MovieTalk+

⭐⭐⭐☆☆

Paths of Glory is one of those films that exists at the crossroads of artistry and entertainment — and for me, it’s where Stanley Kubrick really began to find his balance between a distinct directorial voice and a story that grips you from start to finish.

Set during World War I, Paths of Glory centers on French Colonel Dax (played with firm, human clarity by Kirk Douglas) as he defends three soldiers accused of cowardice after a failed attack. The military hierarchy, politics, and mounting moral contradictions fuel the narrative, creating a war movie less about battles and more about the cost of obedience and command. Kubrick doesn’t dress up the uniforms with glamour; he uses them as tools to expose how systems chew people up and spit them out.

The most impressive thing about Paths of Glory is how assured it feels, especially considering where Kubrick was in his career. The cinematography is crisp and purposeful — battle scenes unfold with a measured economy that makes every decision and every shot matter. Kubrick’s framing communicates both tension and futility in a way that feels thoughtful without being pretentious.

Douglas is excellent as Colonel Dax, giving the film a moral center without melodrama. He carries the weight of his men’s fates with a quiet dignity that keeps the film grounded. The supporting cast also does strong work, particularly in the scenes that interrogate authority and blind loyalty. What could have become a purely intellectual critique of war stays human because of the performances in the quieter moments.

Where Paths of Glory falters slightly — at least for me — is in pacing and emotional payoff. The film is undeniably compelling, but there are stretches where Kubrick’s methodical rhythm feels more clinical than cathartic. It’s intentional and stylistically consistent, but it can make certain scenes feel distant rather than immersive.

Despite that, the movie consistently invites reflection. It doesn’t ask for easy answers, and it doesn’t linger in sentimentality. The background score, sparse yet effective, lets moments breathe. Kubrick is showing early signs of the director who would one day make audiences feel both fascinated and unsettled within the same frame.

Final Rating: ⭐⭐⭐☆☆

Paths of Glory is a foundational piece in Kubrick’s evolution as a filmmaker — a thoughtful, human anti-war drama with a strong central performance and a clear directorial voice. It doesn’t always hit emotionally the way modern audiences might expect, but it’s impressively crafted and still worth watching for anyone interested in films that balance craft with conscience.


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